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Good Thinking is a beautifully designed handwritten font that’s both authentic and charming. Use it to turn any design project into a true standout!
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| Download Good Thinking Font Family From Letterara |
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Rembord is a modern, inclined and slightly condensed typeface.
This font contains a wide selection of swashes, stylistics alternates, stylistics sets and ligatures.
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| Download Rembord Font Family From Eurotypo |
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Parnas is an amazing font that can be used in a classic style or in a more expressive and elegant with alternative and ligatures, of which there are many. Set the style and mood of your design, because just a few touches can absolutely change it. With it, you can easily realize all your ideas.
Classical forms, smooth lines, sharp serifs, weightless style, various weaves, long tails, all this and much more will give you many options for creating your project and will not leave indifferent even the most demanding.
This font is easy to use, has OpenType features.
This font has 900 glyphs and includes:
- 190 Alternates for Uppercase
- 168 Alternates for Lowercase
- 74 Ligatures for Uppercase
- 70 Ligatures for Lowercase
- 10 illustrations
- Multilingual support
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| Download Parnas Font Family From Larin Type Co |
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Roughmarker font consists of two handwritten scripts, a slant (regular) version and upright.
This Script fonts are manually handwritten with quick and rough strokes. We write them on paper until we find a very proportioned form. Then we scanned and took the selected glyphs to be processed into a font. The biggest challenge in making textures fonts are the very many node points, many node points make the font processing performance a bit slow. At first we tried raising the node parameters to 2000-4000 points in one glyph. This is a big number, but if this number is lowered it will eliminate the impression of brush and natural look. We repeatedly look for gaps to minimize points so that the font capacity is not too large and comfortable when typed.
This script font is equipped with ligature as well as several alternate according to handwriting habits, very effective in the sense of not too much but often used.
This font is the great choice for contemporary brands, especially for businesses in fashion, urban style, websites, trends in architecture, cosmetics, and energetic lifestyle themes. An attractive typographic layout makes it also looks more premium in writing quotes.
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| Download Roughmarker Font Family From 38-lineart |
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| Download Sportsboard JNL Font Family From Jeff Levine |
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TradaSans is a new addition in the range of Univers and Helvetica. It represents a fresh face in this ongoing strong category of sans serif typefaces. TradaSans slightly squarish tendency, and its technical and neutral look create an objective and factual appearance.
TradaSans is an ideal typeface for universal use. It offers high reading qualities with longer text applications and its sophisticated design details make it a distinctive headline typeface.
TradaSans consists of 20 well tuned weights and is well equipped for advanced typography. It comes in OpenType format with extended support for up to 80 languages. All weights contain small caps, ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternate characters.
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| Download TradaSans Font Family From Hoftype |
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Dossier is a monospaced serif face that originates in Dwiggins’s designs for typewriter. It has a soft and casual personality and comes in 8 weights and matching italics, making it ideal for text typography, package and advertisement design.
Dossier is an adaptation of William Addison Dwiggins’s unfinished typewriter faces. He worked with multiple typewriter manufactures including Underwood, Remington Rand, and IBM, but none of them were finished. He left a number of intriguing drawings which are now kept at the Boston Public Library. You could see in the drawings that Dwiggins was also interested in exploring designs of varied width.
Toshi Omagari decided to combine these materials to make a cohesive family: the upright was taken from a drawing of monospaced lowercase for an unknown client, and the italic was from the work he did for Underwood which he called ‘Aldine’. Toshi added narrower and wider alternates in the same way Dwiggins devised.
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| Download Dossier Font Family From Tabular Type Foundry |